Read through the complete passage for this study, Song of Solomon 3:6–5:1. Then read the passages and related questions below and record your responses.
The word “What” in 3:6 is literally “Who” in Hebrew, and it is in the feminine gender. Taking this into account, it is best to read 3:6 as the man speaking about the woman coming up from the wilderness. The wilderness is a place of barrenness and of hostile forces of nature. Yet the woman emerges refined, perfumed, and ready to be a blessing to her future spouse. The woman is seen as a garden of rest and refreshment for the man amid a hostile world. Man and woman were created for a perfect world in the garden of Eden, and there is a sense in which the blessings of God upon marriage are a foretaste of the restoration of that perfect home. In 4:12–5:1, both the man and the woman employ a garden metaphor. Compare and contrast how the two of them use this metaphor to describe their wedding and the consummation of their love.
Verse 7 contains a sharp shift marked by “Behold!” as the scene shifts to a procession of Solomon, carried on a couch (“litter”; 3:7) on the day of his wedding (vv. 7–11). This is the only time Solomon has an active role in the Song. In our reading of the Song of Solomon, supported especially by the Hebrew text of 3:6 (with “Who” referring to the shepherdess; see discussion above), Solomon is not appearing here because he is the groom featured in this book. Rather, Solomon appears here as a literary foil, providing a point of contrast. What our couple enjoys is more glorious than the wealth and power of Solomon’s kingdom. The epilogue at the end of the Song contains an allusion to the day of the wedding, with the woman again “coming up from the wilderness” (8:5), this time with her beloved on her arm. Then, in 8:11–12 the woman compares her relationship with her beloved to the relationships Solomon had with his wives and concubines. Hers is superior to the royal king’s because it is exclusive.
The implications of these comparisons are clear. First, the woman’s beauty is more glorious than Solomon clothed in all his splendor. Second, the wedding of a shepherd and a shepherdess, though they are ordinary people, surpasses the glory of King Solomon. His wedding procession is marked by signs of power and money. The two lovers of the Song, by contrast, have a wedding marked by their own pure love and delight in each other. This pure love is to be desired more than power or money. Read the description of Solomon (3:7–11). Write down the words, phrases, and descriptions associated with his power and wealth.
In 4:1–16 the voice of the man breaks forth powerfully. These 16 verses comprise the longest section in which the man speaks in the Song. They include his praise for his bride’s beauty (vv. 1–7), a request for her to go away with him (v. 8), a description of how she has captured his heart (v. 9), another section praising her beauty and comparing her to a locked garden (vv. 10–15), and final pleas for the forces of nature to come and unleash the treasures of the locked garden (v. 16). Read verses 1–7 and 10–11. Of the many metaphors used to describe the woman, which do you find most compelling to modern readers? Which are most distant?
There is progression in the Song. In 2:8–17, what physical barrier stands between the woman and her beloved? By contrast, what barrier separates them in 4:1–3? What does the change in these physical barriers indicate?
The beloved has described seven aspects of the woman’s body, a number of perfection. With this complete examination of her beauty he exclaims, “You are altogether beautiful, my love; there is no flaw in you” (4:7). Presented as an ideal for married couples, what do these verses suggest for husbands and wives in times of intimacy?
In 4:12 we find a series of evocative metaphors the man uses to describe his bride. If there is any doubt as to what is referenced in these metaphors, the woman seems to remove it in 4:16b: “Let my beloved come to his garden, and eat its choicest fruits.” In our age of sexual coarseness, we should not miss the beautiful way in which the Scriptures speak of the consummation of this marriage. The images are powerful and clear, perhaps even so much so as to embarrass some readers. Nevertheless, they are tasteful and appropriately restrained. What four verbs does the man employ in 5:1 to describe the consummation he experiences with his bride?
How do we see this consummation of marriage affirmed as a good and godly thing at the close of 5:1?
Read through the following three sections on Gospel Glimpses, Whole-Bible Connections, and Theological Soundings. Then take time to consider the Personal Implications these sections may have for you.